Hexatonics (Inside Improvisation Series, 7) [Jerry Bergonzi] on * FREE* shipping on qualifying offers. Hexatonics, is the seventh volume of Jerry. vol.7 S:JJUJXJH L lOA S31~3S NOIIVSIAO~dWI 3alSNI IZNOH:l39 A1H:l3r.. .!:,-X 1t~)r:1L-:’ “~pter 1 D C C pter’: C C::a ;’ter 3. Jerry Bergonzi: INSIDE IMPROVISATION SERIES VOLUME 7: HEXATONICS, Paperback Book & CD Package, All Instruments, and thousands more titles.

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What I’m gathering from your comment is that Weiskopf limits his study to one hexatonic, Campbell’s book is more theoretically oriented and that Bergonzi, in typical Gonzomatic fashion, not only covers all of the possibilities one might think of, in terms of hexatonics, but also shows the musician how to apply the various approaches, which I gather, he does in a fashion similar to those used in his “Melodic Structures,” and “Pentatonics” book, so that one can immediately move from theory into praxis.

I had looked through some of his previous books but this one looked the interesting to me.

Jerry Bergonzi Vol 7 – Hexatonics.pdf

This book will keep me busy for a long time, it’s really the most useful music book that I’ve run across in a long time. B- jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting note”.

Serious Resources for Serious Players View my complete profile. Hearing these different combinations of triads jery different chords is a must for expanding your tonal pallet. The book starts out with a chapter dealing with a Major triad over a Major triad a whole step apart. Have each hexatonic be 1 bar,2 bars or 4 bars each.

Have each hexatonic be 1 bar, 2 bars or 4 bars each. F;IC Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. You need the password Natural 11 on a dominant chord is an avoid note but it sounds fine when used in passing.


You guys requested these, so here they are: In some cases additional naturals are given. Triads are incredibly strong sounding melodic devices.

Jerry Bergonzi Vol 7 – Hexatonics

This sounds highly worthy of investigation, when I get done working with Compound Intervals. This book presents apractical method for the construction of hexatonic scales that are useful for both the improviser and composer.

Jerry Bergonzi- Vol 2 – Pentatonics Documents. The built on these two augmented triads follows a pattern of minor third, half step, minor third, half step, etc.

One way to create a hexatonic scale is to combine the notes of two triads that don’t have any common tones. G-7 7 Hexatonics in parenthesis create a higher degree of tension. Choosing just a jergy of these melodies and playing them in all keys is more beneficial than trying play too many and not really getting them down.

As already stated, a hexatonic scale can be derived by combining the notes of two triads that do not share any common tones. D jC-Try playing 8 notes of any hexatonic melody using the notes of the grid as starting notes. As with the other books in this series, there is a play along CD to tryout all of these diflerent sounds. Note that sometimes the hexatonic includes an avoid note.

On an F7 chord, it sounds the: Is Berklee College of music out of your price range? You simply will not believe the number of transcriptions contained in these Japanese compilations. This can be very helpful in modal settings where there are no diatonic, cycle-forth root movements or resolutions and where each chord change may last a long time for instance, four, eight, or sixteen measures ” Bergonzi’s book is very well thought out and structured to be very useful as a practice tool.


Inside Improvisation Series, Vol. 7: Hexatonics: Book & CD

It has a nice “bluesy” flavor, too. As with the other books in this series, there is aplay along CD to tryout all of these different sounds. Have each hexatonic 1 bar,2 bars or 4 bars each. This is meant to be a hwxatonics sound and, of course, overusing it would be comparable to over-spiced food.

Nevertheless, it is a good way to practice in order to make it your own. D triad over e triad.

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On a minor 7th chord, the upper triad sounds the 9,: They are easy to think of and combining them is an accessible task for the soloist. I still think the book is useful and pretty fun to practice with, though honestly I haven’t used it if a few months. Eb Real Book 5th edition Vol. Ordinarily, that symbol would mean a D triad over a e bass note. D triad over e triad can be written and played in any inversion, for example: D 7 sus C7 sus G7 sus: Some of the hexatonics in this book create a high level of tonal ambiguity.

Chord G 7 sus G t.

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